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  • SUB CATEGORY :
    INTERACTIVE LOTUS
  • COMPANY ENTERING :
    SIX INC., TOKYO
  • ENTRY TITLE :
    PERSONAL INNOVATION ACT
  • BRAND :
    SOFTBANK CORP.
  • ADVERTISER :
    SOFTBANK CORP.
  • AGENCY :
    SIX INC., TOKYO/HAKUHODO INC., TOKYO
  • EXECUTIVE CREATIVE DIRECTOR :
    TAKESHI NOZOE (SIX)
  • CREATIVE DIRECTOR :
    KEIICHI MOTOYAMA (SIX)
  • COPYWRITER :
    HITOSHI SAKAMOTO (HAKUHODO)/RYOJI TAKAHASHI
  • ART DIRECTOR :
    KOICHI KOSUGI (HAKUHODO)
  • INTERACTIVE ART DIRECTOR :
    MASAKI HORII (HAKUHODO I-STUDIO)
  • TECHNICAL DIRECTOR :
    TOSHIYUKI HASHIMOTO (AIRCORD)
  • PROGRAMMER :
    OSAMU IWASAKI (AIRCORD)/HISAKI ITO (AIRCORD)/
    OMOHIRO AKAGAWA (AIRCORD)/SEIYA NAKANO (AIRCORD)/
    NOMURA MIKI (AIRCORD)/HIROKI YAMADA (AIRCORD)/
    YOSHIHITO NAKANISHI/TAKAHIRO HIRATA
  • INTERACTIVE DESIGNER :
    YURIE OKA (HAKUHODO I-STUDIO)
  • ACCOUNT DIRECTOR :
    GENJYUN KANG (HAKUHODO)
  • ACCOUNT MANAGER :
    TAKASHI KUSUMI (HAKUHODO)
  • ACCOUNT EXECUTIVE :
    TAKAYOSHI TERUI/KOICHI FURUYA (HAKUHODO)
  • PR DIRECTOR :
    KAZUHIKO KAWASHITA
  • PR PLANNER :
    YOTA AKIYAMA
  • MEDIA DIRECTOR :
    GENTA MUTO
  • STRATEGIC PLANNING MANAGER :
    TOMOHIRO OOTA (HAKUHODO)
  • PLANNER :
    YUTA OKUYAMA/YU KATO
  • FILM PRODUCTION COMPANY :
    AOI PRO. INC., TOKYO
  • DIRECTOR :
    SHOHEI GOTO
  • D.O.P/CINEMATOGRAPHER :
    RYO ISHIDA (FREELANCE)
  • GAFFER :
    KEISUKE KAMIYAMA (FREELANCE)
  • EXECUTIVE PRODUCER :
    HISAYA KATO
  • FILM PRODUCER :
    KAZUKI SATO
  • PRODUCTION MANAGER :
    HISATO YAMADA/YASUEDA SHINSUKE
  • PRODUCTION DESIGNER :
    NAOYUKI HASHIMOTO (MAGENTA WALL DESIGN)
  • HAIR & MAKE-UP :
    MAEHARA RINA
  • STYLIST :
    YAMADA NAOKI
  • CO-ORDINATOR :
    SHINGO SATO
  • POST-PRODUCTION COMPANY :
    QTEC, TOKYO
  • EDITOR :
    HAYATO KAI (STUD)/JACKY/TAKUYA YOKOYAMA (FREELANCE)/
    NORICHIKA KURODA (FREELANCE)
  • COLORIST :
    MASAHIRO ISHIYAMA (DIGITAL GARDEN)
  • FLAME ARTIST :
    KATSUNORI OTA
  • SOUND PRODUCTION COMPANY :
    OTOCO, TOKYO
  • SOUND EFFECTER :
    HIROMINE TANAKA
  • SOUND STUDIO PRODUCER :
    SHOTARO TSURUMARU
  • MIXER :
    AKIRA OSABE
  • CULTURAL CONTEXT EXPLANATION :
    THE PROJECT WAS HELD IN COLLABORATION WITH THE LOCAL GOVERNING BODY OF TARAMA ISLAND, A REMOTE JAPANESE ISLAND. TO GET THERE, ONE MUST TAKE A NINE-HOUR FLIGHT FROM A MAJOR JAPANESE CITY.TARAMA ISLAND IS ONE OF THE AREAS WITH THE LOWEST SMARTPHONE OWNERSHIP RATES. THE ISLAND HAS A POPULATION OF 1200. BECAUSE IT DOES NOT HAVE A HIGH SCHOOL, STUDENTS HAVE TO LEAVE THE ISLAND FOR THEIR STUDIES, AND LIVE APART FROM THEIR FAMILIES. THIS SHORT FILM DOCUMENTS HOW PROTOTYPE PRODUCTS WERE INSTALLED IN AN OLD COUPLE’S HOME ON THE ISLAND TO CONNECT THEM WITH THEIR GRANDCHILDREN WHO LIVE IN OSAKA ( THE SECOND LARGEST CITY IN JAPAN). THROUGH THIS PROJECT, PEOPLE AROUND THE WORLD WERE INTRODUCED TO THE REALITY AND CHARMS OF TARAMA ISLAND, A RELATIVELY UNKNOWN ISLAND EVEN IN JAPAN.
  • ENGLISH CONTEXT EXPLANATION :
    WITH THE ADVENT OF SMARTPHONES, SHARING CHILDREN’S GROWTH IN REAL-TIME HAS BECOME POPULAR IN JAPAN. YET MOST GRANDPARENTS, THE PEOPLE THAT WE WANT TO SHARE IT WITH THE MOST, REMAIN DISCONNECTED AS THEY ARE UNABLE TO USE THEM. SO, JAPANESE SMARTPHONE CARRIER SOFTBANK THOUGHT TO DEVELOP PROTOTYPE PRODUCTS FOR SHARING DAILY LIFE WITHOUT SMARTPHONES. WE UPDATED THE ITEMS THAT SENIORS WERE FAMILIAR WITH.WE CREATED PROTOTYPES THAT MAINTAINED ANALOG INTERFACES WHILE ENABLING DIGITAL COMMUNICATION FOR SHARING THE GRANDCHILDREN’S GROWTH. WE MADE A TOTAL OF 6 PROTOTYPE PRODUCTS AND INSTALLED THEM IN A REAL HOUSEHOLD.WE CREATED A PERCEPTION CHANGE BY SHOWING THAT THERE ARE INNOVATIONS WHERE TECHNOLOGY DRAWS CLOSER TO EACH PERSON’S LIFE, RATHER THAN PEOPLE KEEPING UP WITH TECHNOLOGY’S EVOLUTION.
  • URL :
    http://www.softbank.jp/corp/special/personal-innovation-act/
  • URL :
    https://www.youtube.com/watch?v=yY12m7tjghI