• SUB CATEGORY :
    SOUND DESIGN
  • COMPANY ENTERING :
    SQUEAK E. CLEAN STUDIOS, SYDNEY
  • TITLE :
    HYUNDAI TUSCAN 'TOMORROW WANT'S ITS CAR BACK'
  • BRAND :
    HYUNDAI
  • ADVERTISER :
    HYUNDAI
  • AGENCY :
    INNOCEAN AUSTRALIA, SYDNEY
  • EXECUTIVE CREATIVE DIRECTOR :
    WES HAWES
  • CREATIVE DIRECTOR :
    DAN O’CONNELL
  • CREATIVE TEAM :
    MITCHELL SUTTON/JOSH CAMPBELL
  • DIRECTOR OF INTEGRATED PRODUCTION :
    CRAIG SLOANE
  • SENIOR INTEGRATED PRODUCER :
    WARRICK NICHOLSON
  • FINISHED ART/DESIGN :
    JULIANA BACMAGA
  • CLIENT PARTNER :
    IAN HARTLEY
  • HEAD OF CX :
    ROMY BRIERS
  • SENIOR ACCOUNT DIRECTOR :
    VINCENT PLED
  • ACCOUNT DIRECTOR :
    SARAH GARDAN
  • STRATEGIC PLANNING DIRECTOR :
    KARL BATES
  • FILM PRODUCTION COMPANY :
    SCOUNDREL, SYDNEY/MJZ, SYDNEY/WELLCOM, SYDNEY
  • DIRECTOR :
    MICHAEL SPICCIA
  • DIRECTOR OF PHOTOGRAPHY :
    ROSS GIARDIN
  • EXECUTIVE PRODUCER :
    ADRIAN SHAPIRO/KATE GOODEN
  • CASTING :
    MULLINARS CASTING
  • POST-PRODUCTION COMPANY :
    THE EDITORS, SYDNEY/FIN DESIGN + EFFECTS, SYDNEY
  • EDITOR :
    JACK HUTCHINGS
  • COLORIST :
    BEN EAGLETON
  • FLAME ARTIST :
    ALEX PATTERSON
  • SPECIAL EFFECTS COMPANY :
    FIN DESIGN + EFFECTS, SYDNEY
  • HEAD OF VISUAL EFFECTS/EP :
    ALASTAIR STEPHEN
  • VFX SUPERVISOR :
    JUSTIN BROMLEY
  • CG SUPERVISOR :
    SIMON CLARKE
  • SPECIAL EFFECTS PRODUCER :
    ISABELLE HOWARTH
  • SOUND PRODUCTION COMPANY :
    SQUEAK E CLEAN STUDIOS, SYDNEY
  • SOUND DESIGNER :
    SIMON LISTER
  • SOUND STUDIO PRODUCER :
    EMMA DUNCAN
  • CREATIVE DIRECTOR :
    SIMON LISTER
  • ENGLISH SYNOPSIS :
    THE CAMPAIGN IDEA, “TOMORROW WANTS ITS CAR BACK” IS BASED ON THE REVOLUTIONARY ALL-NEW TUCSON, A CAR THAT LOOKS SO FUTURISTIC THAT IT REALLY SHOULDN’T BE AVAILABLE IN 2021. WITH EXTENSIVE SOUND DESIGN EXPLORATION, AND UTILISING “FILM LIKE’ SOUNDSCAPES WE CREATED ALL THE ENVIRONMENT SOUNDS THAT YOU WOULD NATURALLY HEAR TO BRING THE SCENES TO LIFE.THE NIGHT BUGS, THE OWL, THE DRIVING SCENES, AND SPOT EFFECTS LIKE THE DOG AND FOOTSTEPS, EVERYTHING WAS RECREATED TO GET A FILMIC SOUNDTRACK THAT COMPLEMENTED THE WELL CRAFTED VISUAL AFFECTS AND FILM. WITH THE ROBOT ALIEN SOUNDS, WE WANTED TO BRING THESE MECHANICAL, DELICATE BUT INTRIGUING ALIENS TO LIFE. EVERY MOVEMENT WAS SCORED WITH SERVOS, HYDROLICS AND PNEUMATIC SOUNDS TO BRING THEIR MECHANISMS TO LIFE AND ALSO INTERACT WITH THE ENVIRONMENT AROUND THEM.