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  • SUB CATEGORY :
    LOTUS ROOTS
  • COMPANY ENTERING :
    WUNDERMAN THOMPSON PHILIPPINES, MANILA
  • TITLE :
    RIGHT THE RIDE: JEEPNEYS AGAINST MISOGYNY
  • BRAND :
    COMMISSION ON HUMAN RIGHTS OF THE PHILIPPINES
  • ADVERTISER :
    COMMISSION ON HUMAN RIGHTS OF THE PHILIPPINES
  • AGENCY :
    WUNDERMAN THOMPSON PHILIPPINES, MANILA
  • CHIEF EXECUTIVE OFFICER :
    GOLDA ROLDAN
  • EXECUTIVE CREATIVE DIRECTOR :
    CRISTINA TIN SANCHEZ/BRANDIE TAN
  • CREATIVE DIRECTOR :
    NIÑO GUPANA/MAAN BAUTISTA
  • ART DIRECTOR :
    ELAINE CATINDIG/MACKY SANCHEZ/GABRIELLE BALANON
  • COPYWRITER :
    IRISH BAUTISTA/JILLIAN LIBRODO/YANNA GEMORA
  • AGENCY PRODUCER :
    JEM LIM/TOFFEE DE GUZMAN/CAROL PE BENITO
  • EDITOR :
    BINO SAMSON
  • RETOUCHER :
    CHRIS CRISTOBAL/FERDIE ORTIZ
  • ILLUSTRATOR :
    GEOFF ESTEVEZ
  • ACCOUNT DIRECTOR :
    CARLA DADO
  • ACCOUNT MANAGER :
    PAM BAMA
  • STRATEGIC PLANNING DIRECTOR :
    PAM GARCIA
  • STRATEGIC PLANNING MANAGER :
    SAM ZETHA
  • STRATEGIC PLANNER :
    RACHELLE VALERA
  • FILM PRODUCTION COMPANY :
    FILM PABRIKA, MANILA/ALA CARTE DIGILAB, MANILA
  • DIRECTOR :
    CHESKA RAMOS/GILBERT BUEN
  • EXECUTIVE PRODUCER :
    MARIVIC SAN JUAN
  • FILM PRODUCER :
    REGINA INOCENCIO/JEM LIM/TOFFEE DE GUZMAN
  • PRODUCTION DESIGNER :
    ADELINA LEUNG
  • OTHER FILM PRODUCTION CREDITS :
    LIZA APUYAN/NEIL JARA/RANDY MENDOZA & TEAM/KEVIN RUTIA/ IKOY MANZANO/VOODOO INC./GERICK BUEN/GEE MACALE/ PRINCE PAGUIRIGAN/MICHAEL GUINTO
  • POST-PRODUCTION COMPANY :
    FILM PABRIKA, MANILA
  • EDITOR :
    GINO DELOS REYES
  • COLORIST :
    BAREBONES INC./LESTER BRUTAS/AUDREY VELASCO/IS CARTEGENA
  • SOUND PRODUCTION COMPANY :
    HIT PRODUCTIONS, MANILA
  • SOUND DESIGNER :
    TARA LIM/EDDIE BOY VARGAS
  • SOUND STUDIO PRODUCER :
    SHARON AMBAS
  • MUSIC COMPOSER :
    MIKE VILLEGAS/JOAQUIN SANTOS
  • OTHER SOUND PRODUCTION CREDITS :
    VIC ICASAS/LETTY SARMIENTO/JAPS CONCEPCION/LEA LARDIZABAL
  • CULTURAL CONTEXT EXPLANATION :
    THE PHILIPPINE JEEPNEY IS A WELL-LOVED CULTURAL ICON THAT IS UNIQUE TO OUR COUNTRY. IT’S OUR MAIN MODE OF PUBLIC TRANSPORTATION USED EVERY DAY FOR DAILY COMMUTE. THE UNDISPUTED KING OF THE ROAD AND THE MOST VISIBLE FILIPINO ICON OUTDOORS. BUT BEHIND THE BRIGHT COLORS AND VIBRANT DECOR THAT MAKE IT ICONIC, LIES A PROBLEM THAT HAS BEEN OVERLOOKED FOR MANY YEARS – MISOGYNY AND SEXISM. OUTSIDE, JEEPNEYS CAN BE ADORNED WITH SEXIST DECOR. INSIDE, IT CAN GET EVEN WORSE – OFFENSIVE SIGNAGE ARE CONSIDERED FUNNY AND WITTY. MISOGYNY MUST NOT HAVE A PLACE IN MODERN SOCIETY. AND PARTICULARLY, NOT IN A BELOVED CULTURAL SYMBOL.
  • ENGLISH CONTEXT EXPLANATION :
    THE JEEPNEY, A FILIPINO CULTURAL SYMBOL, USES SEXIST AND OFFENSIVE IMAGERY AND SIGNAGE, WHICH ARE EVEN CONSIDERED FUNNY AND WITTY. FOR EXAMPLE (THE FOLLOWING ARE ENGLISH TRANSLATIONS OF THE MOST POPULAR JEEPNEY SIGNS) IF YOU’RE SEXY, SIT NEXT TO ME./ MISS, YOU CAN HAVE ME. BUT NOT MY MONEY./ DIFFERENT POSITIONS STRENGTHEN RELATIONSHIPS./YOU WERE SINGLE WHEN YOU GOT DRUNK, AND PREGNANT WHEN YOU WOKE UP./ IF YOU’RE UGLY, YOU MAY HANG ON TO THE BACK. IF YOU’RE SEXY, YOU MAY SIT INSIDE. IT’S TIME TO RIGHT THE RIDE: WHAT’S TRULY SEXY IS RESPECT FOR EVERYBODY./ MISS, CLAIM THE RESPECT THAT BELONGS TO YOU./ THE BEST RELATIONSHIP ADVICE: EQUALITY./ YOU WERE SINGLE WHEN YOU GOT DRUNK AND SAFE WHEN YOU WOKE UP./ IF YOU’RE A MAN, YOU’RE STRONG. IF YOU’RE A WOMAN, YOU’RE STRONG.