• SUB CATEGORY :
    DIRECTING
  • ENTRANT COMPANY :
    SWEETSHOP, AUCKLAND
  • TITLE :
    WRONG RIDE
  • BRAND :
    TELEVISION NEW ZEALAND [TVNZ]
  • ADVERTISER :
    TELEVISION NEW ZEALAND [TVNZ]
  • AGENCY :
    DENTSU, AUCKLAND
  • EXECUTIVE CREATIVE DIRECTOR :
    ANNE BOOTHROYD
  • GROUP CREATIVE DIRECTOR :
    JACK DELMONTE
  • CREATIVE DIRECTOR :
    ANDREA SARCULLO
  • COPYWRITER :
    MATT WOODS
  • AGENCY PRODUCER :
    NIGEL SUTTON
  • GROUP ACCOUNT DIRECTOR :
    EVAAN MIOCEVICH
  • FILM PRODUCTION COMPANY :
    SWEETSHOP, AUCKLAND
  • DIRECTOR :
    DAMIEN SHATFORD
  • DIRECTOR OF PHOTOGRAPHY :
    NIGEL BLUCK
  • GAFFER :
    THAD LAWRENCE
  • EXECUTIVE PRODUCER :
    BEN DAILEY/KATE ROYDHOUSE
  • FILM PRODUCER :
    LARISA TIFFIN
  • LIGHTING :
    JAY MUNRO
  • WARDROBE :
    BRETT GARTON
  • POST-PRODUCTION COMPANY :
    ARC EDIT, AUCKLAND
  • EDITOR :
    LUCAS BAYNES
  • COLORIST :
    MATIC PRUSNIK
  • FLAME ARTIST :
    LEONIE WILLIS, C/- TOYBOX
  • ENGLISH SYNOPSIS :
    A GROUP OF MASKED PEOPLE MAKE THEIR WAY INTO A FORTIFIED BANK. UNBEKNOWNST TO THEM, ONE OF THE BANK TELLERS MANAGES TO PRESS THE SILENT ALARM A S THE LEADER THREATENS THE CIVILIANS THAT HE HAS A BOMB THAT HE IS NOT AFRAID TO ACTIVATE IF ANYONE STEPS OUT OF LINE. IN AN URGENT, HIGH-STAKES ENVIRONMENT, THE GROUP BREAK IN - FILLING THEIR BAGS WITH AS MUCH AS THEY CAN CARRY AND RUN OUT OF THE BANK.

    ON THE STREET, TAMARA, OBLIVIOUS TO THE WHOLE THING STEPS INTO THE GET-AWAY CAR, MISIDENTIFYING IT AS HER UBER. AS THE ROBBERS CLAMBER INTO THE CAR THEY HAVE NO CHOICE BUT TO DRIVE OFF WITH TAMARA IN THE CAR AS THE POLICE ARE ALREADY HOT ON THEIR TAILS.
  • ENGLISH CONTEXT EXPLANATION :
    THIS SPOT IS INFLUENCED BY MANY BLOCKBUSTER FILMS INCLUDING HEISTS SUCH AS THE DARK KNIGHT RISES (BATMAN). FAST PASTED AND GRADED IN A GRITTY WAY, THE SPOT IS SUCCESSFUL IN CREATING URGENCY AND ANXIETY - JUST LIKE WHEN WATCHING SIMILAR SCENES ON THE BIG SCREEN.
    THE PUNCHLINE OF THE SPOT HINGES ON THE USE OF RIDE-SHARE APPS LIKE UBER AND HOW ABSORBED PEOPLE CAN BE WHEN WATCHING QUALITY CONTENT ON THEIR PHONES.